Not
the Triple Threat you’d normally think. I don’t mean the magical trio
of performing talents: Dancer, Singer, Actor… I’m talking about the
other side of the coin: Producer, Director, Writer. In other words, why
my life this month has had be so busy I don’t know what day it is.
Pursuing a career in acting is not straight forward. I’m sure if
you’re like me and following this path you know that there are a million
forks in the road. And that’s a good thing. There is not one way to
reach that pot of gold. There are a million. So much of this career is
about taking every opportunity presented to you. It is about exploring
the different facets of your selected profession. Yes, my initial intent
is and always will be to become a Working Actor. Acting, above all, is
my passion. And I used to be the kind of actor that immediately shook my
head to any talk of writing, directing or producing of my own work.
“No,” I’d say, naively at the time, “I’m an actor. I’m not a producer or
director and I have no desire to write.”
Well, I was wrong. Fortunately, I figured that out pretty quickly. I am a better actor because I
write/produce/direct. And I have a much greater respect for the team it
takes to create the art that as an actor I am fortunate enough to just
step into.
As a producer, I have learned how to be patient and how to hustle. As
a writer, I’ve improved my skills to break down a script, a scene, a
character. As a director, I’ve learned to be creative and open when need
be and I’ve learned to be precise and decisive when the occasion
arises. All of these skills have fostered my growth as an actor–
both the actual acting and the career.
This month has been a crash course in these skills, as I have written
an original script from the stories and poems of Edgar Allan Poe, I am
directing the fall high school production of my original show “Once Upon a Midnight Dreary, I am producing a full-length post-apocolyptic drama called “The Position” for PianoFight and I am acting in a world premiere play about a young girl in search of her mother called Skeleton Stories at Theatre of NOTE.
And guess what? All three shows are in October! Hence, September inSanity!
Tags: asylum lab, bill bivins, black box theater, edgar allan poe, skeleton stories, the position, theatre of note, viewpoint school
